|
|
|
|

|

HP Music Publications
|
|

|

| |  | |

|

|


|
America the Beautiful - Study Score
This instrumental arrangement of America the Beautiful was written in commemoration of the bicentennial celebration of the United States Bill of Rights. In addition to the traditional elements of the march and chorale, new harmonices, latin and jazz rhythms, and melodic figures are added to the texture. The "America" motif of the original song has been developed and made into a call and response passage that leads the arrangement to its climax. Evenutally woodwinds and horns respond to it with snippets of other patriotic tunes.
|
|
|
| |  | |
|


|
America the Beautiful - Performance Set and License
This instrumental arrangement of America the Beautiful was written in commemoration of the bicentennial celebration of the United States Bill of Rights. In addition to the traditional elements of the march and chorale, new harmonices, latin and jazz rhythms, and melodic figures are added to the texture. The "America" motif of the original song has been developed and made into a call and response passage that leads the arrangement to its climax. Evenutally woodwinds and horns respond to it with snippets of other patriotic tunes. Standard Edition
|
|
|
| |  | |
|


|
Antonio's Point/Counterpoint - Study Score
Antonio's Point/Counterpoint is based on the fugue from the first movement of Antonio Vivaldi's Concerto Grosso, opus 3, no. 11. The three main fugal statements of the Vivaldi concerto were taken and surrounded by an original introduction, coda, and jazz and fugal episodes composed by arranger Hal Peterson, creating a "third stream" arrangement for orchestra.
|
|
|
| |  | |
|


|
Antonio's Point/Counterpoint - Performance Set and License
Antonio's Point/Counterpoint is based on the fugue from the first movement of Antonio Vivaldi's Concerto Grosso, opus 3, no. 11. The three main fugal statements of the Vivaldi concerto were taken and surrounded by an original introduction, coda, and jazz and fugal episodes composed by arranger Hal Peterson, creating a "third stream" arrangement for orchestra.Standard Edition
|
|
|
| |  | |
|


|
Avenue of the Stars - Study Score
Avenue of the Stars is part of a series of pops orchestra works entitled "Street Pieces" because they evoke a particular urban setting, mood or activity. Avenue of the Stars suggests a Hollywood premiere, the glitter of the Las Vegas strip, or the glamour of Broadway in a dynamically scored overture for orchestra.
|
|
|
| |  | |
|


|
Avenue of the Stars - Performance Set and License
Avenue of the Stars is part of a series of pops orchestra works entitled "Street Pieces" because they evoke a particular urban setting, mood or activity. Avenue of the Stars suggests a Hollywood premiere, the glitter of the Las Vegas strip, or the glamour of Broadway in a dynamically scored overture for orchestra. Standard Edition
|
|
|
| |  | |
|


|
Classical Overture - Study Score
Classical Overture is a celebration of the traditional concert overture genre that has been a mainstay of orchestras for 200 years. Moods in the work range from impressionistic to heroic, introspective to bombastic. The overture genre is used to convey a sense of impending drama and is often meant to portray images of action, character, or emotion. This effect of drama should be felt or sensed throughout the performance by both audience and players.
|
|
|
| |  | |
|


|
Classical Overture - Performance Set and License
Classical Overture is a celebration of the traditional concert overture genre that has been a mainstay of orchestras for 200 years. Moods in the work range from impressionistic to heroic, introspective to bombastic. The overture genre is used to convey a sense of impending drama and is often meant to portray images of action, character, or emotion. This effect of drama should be felt or sensed throughout the performance by both audience and players. Deluxe Edition
|
|
|
| |  | |
|


|
Dances at Threave - Study Score
Dances at Threave consists of original "courtly airs" modeled on dance forms from the 15th-17th centuries. The rhythms and meters of galiards, lilts, and Bransles abound, creating immediately accessible music for a gala occasion with a Scottish flavor.
|
|
|
| |  | |
|


|
Dances at Threave - Performance Set and License
Dances at Threave consists of original "courtly airs" modeled on dance forms from the 15th-17th centuries. The rhythms and meters of galiards, lilts, and Bransles abound, creating immediately accessible music for a gala occasion with a Scottish flavor. Deluxe Edition
|
|
|
| |  | |
|


|
Fantasia Tarantella - Study Score
Fantasia Tarantella is reminiscent of nineteenth century tarantelli written by Liszt, Chopin, Heller, and other composers which utilize a “virtuoso” perpetual motion style. The outer structure of Fantasia Tarantella loosely follows a sonata-allegro form with a distinctive three part exposition, development, recapitulation, and coda. However, the work is diverted away from the tarantella format by two episodes — introduced by violas, cellos, or string basses — that explore American jazz styles. Each episode is related in a harmonic or rhythmic manner to the tarantella material, and the piece moves freely and easily between the styles, hence the name "Fantasia".
|
|
|
| |  | |
|


|
Fantasia Tarantella - Performance Set and License
Fantasia Tarantella is reminiscent of nineteenth century tarantelli written by Liszt, Chopin, Heller, and other composers which utilize a “virtuoso” perpetual motion style. The outer structure of Fantasia Tarantella loosely follows a sonata-allegro form with a distinctive three part exposition, development, recapitulation, and coda. However, the work is diverted away from the tarantella format by two episodes — introduced by violas, cellos, or string basses — that explore American jazz styles. Each episode is related in a harmonic or rhythmic manner to the tarantella material, and the piece moves freely and easily between the styles, hence the name "Fantasia".Deluxe Edition
|
|
|
| |  | |
|


|
prologue - Study Score
A unique jazz-like work in 5/4 time that uses quartal harmony, the mixolydian mode, and an occasional meter change to create an ever-building melodic and harmonic intensity. After an initial string passage, prologue features solo and section woodwinds as the melody evolves into a simpler ABC statement of the basic tune. This eventually leads to a final statement of the theme by the full orchestra.
|
|
|
| |  | |
|


|
prologue - Performance Set and License
A unique jazz-like work in 5/4 time that uses quartal harmony, the mixolydian mode, and an occasional meter change to create an ever-building melodic and harmonic intensity. After an initial string passage, prologue features solo and section woodwinds as the melody evolves into a simpler ABC statement of the basic tune. This eventually leads to a final statement of the theme by the full orchestra.Standard Edition
|
|
|
| |  | |
|
Show Store Policies
|

|
|